No. 4

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In camera workshop number four, Wednesday 21th of October we were taught about the 180 degree rule - arch that has to be followed and used when filming. We were given a script called "crossing the line" and in groups of 2-4 we had to shoot this in any way we wanted, by using up to maximum five shots. And make sure to follow the 180 degree rule specifically, to not confuse the audience.

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The shot I would have done over again if I had the chance, would definitely be the "birds eye" shot. This could have been way more stable, but as a workshop experience I felt happy with the finished product. 




 - Part of prep work -
PAPER STAIN
Trailer


During the preparation and planning for this project, there was a lot to go over, to make sure that every aspect were researched and completed in the correct way. Everything from paperwork, to shot listing, finding actors, crew, locations and making sure everything would be ready for shooting day.

I started off making the shot list, where I listet all of the shots I knew I wanted to have. As well as ideas for different shots that I knew I had to write down, in order to remember them. I followed the shortlist quite specific, to make sure I got everything I needed. At the same time I made sure that I let myself have the creative space to change up shots, or to do random shots that I would might come up with during shooting. I like to work that way, because when your on set, you might discover new ideas for shots you hadn't even thought about. I decided not to use a story board this time, as I had all of the shots clearly visioned in my head, and wouldn't be able to draw them down the way I would want them to look. And I also with this project found it easier to have a better overview this way, with the shot lists.
To find my actors I used the Casting Call Pro website, where I put PAPER STAIN up as a job, for actors to apply to. It was a very interesting process, and I learned a lot. Having to write a job announcement and to follow up in dialogue with proper actors was fun, and I really enjoyed using this method to find actors.


My oldest actor unfortunately had to pull out midnight before shooting day. This was of course quite stressful, but it is in those kind of "crisis" or situations that you learn how to get around and find someone last minute. Luckily I managed to get Jack Taylor from UCA - Fashion Textile Prints course to take on the role. He had a bit of acting experience from college, and I am really glad he ended up landing the role as Terell Bray.

The actor for the youngest character, Kayden Denell was played by Tristan Pegg, whom I received an application from though CCP and truly he delivered in the role he played. I was very pleased with how he matched the character profile I had imagined, and both working with Tristan and Jack was very fun and enjoyable. For both I covered the costs of travel and lunch on the shooting days.

/In the role as - Kayden Denell/

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When it comes to crew, I was considering having someone on sound, but because the sound I would need to record in this project would be mainly general environment sounds. Due to the fact that I would record voice over afterwards, when the shooting would be finished I chose not to. 

I decided to go solo on this project, and not have any other crew with me. Looking back and also due to the risk assessment, I can see that I should probably have had at least one assistant with me to watch out, wear a high vis, inform pedestrians, and in general assist with any inconvenience etc. 

Even though I chose to work this way, it worked really well for me as I got to shoot in my pace. As in following my Call Sheet, script and shortlist. And I was really happy with the shooting, we did not run in to any problems. And I am very pleased with the footage I got. 


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5 PAGE TRAILER SCRIPT
/10-page screenplay re-written, down to a trailer script version/

(Sent out to actors pre-hand to shooting. As well
as printed out and handed over on first shooting day)

CALL SHEET


(Sent out to actors pre-hand to shooting. As well
as printed out and handed over on first shooting day)


RISK ASSESMENT


CONSENT  FORM 


(Forms signed with both actors.)


ARTIST CONTRACT


(Also signed with both actors.)

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Overall I visioned the production design to be clear, pure, simple, aesthetically clean, bright and I wanted the overall colour to be even and in a warm scheme. The props I used was the diary, which I had bought, and the leather backpack I got to borrow from Jack himself. All other props were either the locations own, or bought by me to be in the film (tea, note, pen etc.) As well as all wardrobe for this film was brought in by the actors themselves, and thanks to them and their help, we managed to match the character profiles pretty well.


//All Images scanned or screenshot

//Sources of information
MyUCA - TVP production forms
http://www.castingcallpro.com/uk
http://www.filmsourcing.com/advanced-shot-list-template-free-download/


A short film written and directed 
by
John Harden
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Quick facts:
- Narrative Scifi-Drama
- Duration aprox. 16 min
"Critic's Award for Excellence" 
for Best Short Film at FilmFest Twain Harte, 2014
- Official selection Chicago Underground Film Festival 2015


An elderly couple, revived from cryonic preservation, face the joys and challenges of a second life in the distant future. 





Starring 
Jared Abrahamsson 
Joslin Jensen
 Jennifer Lafleur

Produced by John & Sheila Harden
Produced by Don R. Lewis
Associate Producers Skot Christophersen
                           Barry K. Lanyon
Editor John Harden
Director of photography Kirk Douglas
Casting Director Don R. Lewis
Line Producer Kurtis Hermes
First Assistant Director Alun Lee
First Assistant Director Kurtis Hermes

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 For more information, 
please visit 





We are introduced to a young man, who has lived a long and interesting life, suffering from cancer and dying the day before his 70th birthday. We already from the beginning as an audience understand that we are entering a new and different place, with a new continuity and a new interpretation of what the present/past is. As Hugh wakes up in this new strange place, we are just as curious as himself on how he apparently died and ended up there.




Once he finds himself being alive we soon get introduced to what we understand to be his wife. They are both young again now, brought back to life in a new "dimension." They get brought to a house that is an exact replica from the 20th century, where they can live and get on with their new lives. We are being dragged between weather to live in this new world, apart from the world and everyday life we are used to. It awakens your thoughts as a viewer, and your being forced to pay attention to be able to get your head around, where and what is happening. Which is a good pull from the director, managing to drag the audience into the action and keep them there as the suspense increases. As well as it leaves us with unanswered questions. What is this place? Who are these people from this dimension? Why are they brought back to life? We get eager to want to know more.





Strong contrasts are introduced in a balanced but clear way, comparing new to old. Questioning the relevance between whats familiar and what is not, how it affect us as humans and how it impacts our well-being. All very relatable and important aspects and themes. That viewers can easily feel connected and familiar with, when comparing the content to their own lives. Which is a very important aspect of maintaining the viewers attention throughout the film. Which here, is done really well. As Hugh and his wife, Candace, are struggling to find out what their hearts are now truly desiring. Now that they have already had a lifetime together.





John manages to create a new sense of normality and abstraction, in a sci-fi dimension, and at the same time makes it feel very natural. We dont get thrown off by cheesy or rubbish effects, or creations. But the film is rather sticking to a good and believable design and constructions.




There are several things I like about this film. First of all, I like how it portrays the struggle of finding yourself again, after dying and now having to start a new life again. Different from the one you had before, but also the same. I mainly like how the storyline as well as the time it is set in, is totally different from what I have seen before. Usually sci-fi tend to "work the same way" and the stories are often very similar or overdone. I like how this film manages to bring sci-fi in to the spotlight, without overdramatising it. How it keeps the story itself and the expression of the film clean and simple. Aesthetically well executed, and cinematography is also very nicely done.




It is clear that this production has been planned and gone through a hundred times, before actually going out to make it. Time, effort and heart has been poured in to it, and that shows on screen. I must also mention how I like the focus in the clips and also the strong and pure colour scheme that has been chosen.

How this short film affected and influenced my own project, was by the fact that it is able to tell a quite heavy story in a simple, yet effective way. Considering that my story is also quite intricate and could be a bit hard to pull off, if not done the right way. I find this film to be a good inspiration to have as a goal, and to try to be able to achieve the same. And as I also mentioned, the cinematography is very nice, I like how it uses wide shots, as well as medium shots continuously throughout the film. And also being able to incorporate detail shots that is full of information and emotions. It also shows in a really good way, how the writer has been able to create and maintain moments. Which is truly important to get a good story.


A great short film that is definitely worth seeing, enjoyed every moment, and it kept me in my seat as I was eager to find out what had happened to Hugh and his wife. I wanted to follow their journey, to see where they would end up. John Harden is a talented guy, with a powerful and intriguing story. I also have to mention, that I am not the biggest fan of sci-fi, but that I actually really, really liked this one.

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         New from John Harden on Vimeo.


//All images screenshot from the video on Vimeo

//Sources of information




Quick facts:
- Family Drama series
- Duration pr episode, aprox. 30 min
- 1 BAFTA award - Best drama
- 1 Royal Television Society award
- 1 Writers Guild of Great Britain
- Plus 4 other nominations

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Series 3 : 16 - The Goodbye Girl

Tyler's plan to put on a great magic show leads him to a first love with Chanelle, the mysterious daughter of a magic-shop owner.


In this episode we get introduced to a young boy, Tyler, who is exploring the world of magic tricks, at the same time as he is trying to find himself. Early on we can understand that this is the character we are going to follow and get to know as the story unfolds. What I really like about this serie is that you dont necessarily need to have watched any earlier episodes to catch up, or to understand the action or content of the story. 

Tyler lives at The Dumping Ground, set in a children´s home where all the children face many fun adventures as they all grow up in foster care. The series are a spin off from "The Story Of Tracy Beaker" which is based on the best-selling novel by Jacqueline Wilson. 




Already from the beginning we learn a great deal about the character we are to follow. As a group of intimidating teenage boys approach him to take all the money he just earned doing magic tricks in the streets. He shows both courage, bravery and fear despite running off to escape from the teenagers.




One of the main red threads in this episode are the magic. It appears throughout from beginning to end, in all sorts of ways.  After being chased by the older teenage boys Tyler hides in a corner shop, which appears to be selling magic toys and tricks. The chemistry that occurs between him and the girl working in the shop, tells us that she has a bigger part and meaning in the story.




When he leaves the girl, she gives him some of the magic toys and tricks as a gift, because she can see and understand how much he appreciates and likes to perform magic tricks. He shows the new tricks to his friends at The Dumping Ground. Some of the girls confronts him to ask if he has stolen it, and they encourage him to go and thank her.



At the same time parallel to Tyler´s adventure, one of the other kids get sick. And it becomes one of the older kids quest to find out what causes his allergic reaction. While all the other backs off to avoid being infected by what they believe to be an contagious disease. He sticks with him and helps him finding out what can help to solve the decease.





As Tyler gets permission from one of the carer´s at TDG to put on his own magic show for the other kids. He starts to research and build his own magic case to make an assistance to disappair. As he is trying to figure out the case, Chanelle the girl from the shop, turns up and helps him build it. Tyler falls more and more into a crush. As viewers we can relate to the difficulties in teamwork, how to handle emotions, falling in love for the first time when your young and insecure on all the new feelings you suddenly have. At the same time the message of falling and then have to raise again, is striking and told in a very discreet but well working way.





His first time being in love develops to be both hard and heartbreaking as he learns the cold fact that Chanelle is moving away, and her father didn't want for them to be together, not because he didn't like him, but because he didn't want for either of them to get hurt. Lines can be drawn to real-life feelings and they manage to make the audience believe the father straight forward doesn't like him. And then to later reveal the soar and heartbreaking truth. Of a father just wanting the best for his daughter and her new friend.




There is both strong friendships and young love presented on screen in a most purely and innocent way possible. It is definitely a family series where everyone can watch and enjoy. No matter if your five or fourthy. I really like how they have managed to make the action very naturally, and not to excessive. They have kept it simple, easy storyline to follow, characters that develop and change. As well as making the audience develop a relationship to and with the characters, and their stories.



The magic is what pulls Chanelle and Tyler both together and apart. As they team up and she assistance for him in his magic show, and her fathers magic shop not making enough money and causing them to have to move away. A beautiful and really well done, cute little love story, about how fragile love and goodbyes truly are. Really enjoyed watching.


The cinematography in the episode is really nice, I especially like the lighting in all the different scenes, as well as the framing of the shots. They have managed to create a special, warm and cozy atmosphere, that makes you want to escape into it. This is something I took with me as an inspiration of how to be able to create such a special atmosphere in my story on screen.


When it comes to how this drama affected my story and writing, I look to it as an inspiration of how to be able to combine both parallel storytelling, as well as being able to bring up bigger and sensitive themes and subjects in a gentle and yet powerful way. Without it being forced or overdramatised. And also to be able to create a special atmosphere and "real world" on screen, with good lighting, good framed shots and pure and clean storyline.

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//All images screenshot from the BBC

//Sources of information

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