A short film written and directed 
by
John Harden
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Quick facts:
- Narrative Scifi-Drama
- Duration aprox. 16 min
"Critic's Award for Excellence" 
for Best Short Film at FilmFest Twain Harte, 2014
- Official selection Chicago Underground Film Festival 2015


An elderly couple, revived from cryonic preservation, face the joys and challenges of a second life in the distant future. 





Starring 
Jared Abrahamsson 
Joslin Jensen
 Jennifer Lafleur

Produced by John & Sheila Harden
Produced by Don R. Lewis
Associate Producers Skot Christophersen
                           Barry K. Lanyon
Editor John Harden
Director of photography Kirk Douglas
Casting Director Don R. Lewis
Line Producer Kurtis Hermes
First Assistant Director Alun Lee
First Assistant Director Kurtis Hermes

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 For more information, 
please visit 





We are introduced to a young man, who has lived a long and interesting life, suffering from cancer and dying the day before his 70th birthday. We already from the beginning as an audience understand that we are entering a new and different place, with a new continuity and a new interpretation of what the present/past is. As Hugh wakes up in this new strange place, we are just as curious as himself on how he apparently died and ended up there.




Once he finds himself being alive we soon get introduced to what we understand to be his wife. They are both young again now, brought back to life in a new "dimension." They get brought to a house that is an exact replica from the 20th century, where they can live and get on with their new lives. We are being dragged between weather to live in this new world, apart from the world and everyday life we are used to. It awakens your thoughts as a viewer, and your being forced to pay attention to be able to get your head around, where and what is happening. Which is a good pull from the director, managing to drag the audience into the action and keep them there as the suspense increases. As well as it leaves us with unanswered questions. What is this place? Who are these people from this dimension? Why are they brought back to life? We get eager to want to know more.





Strong contrasts are introduced in a balanced but clear way, comparing new to old. Questioning the relevance between whats familiar and what is not, how it affect us as humans and how it impacts our well-being. All very relatable and important aspects and themes. That viewers can easily feel connected and familiar with, when comparing the content to their own lives. Which is a very important aspect of maintaining the viewers attention throughout the film. Which here, is done really well. As Hugh and his wife, Candace, are struggling to find out what their hearts are now truly desiring. Now that they have already had a lifetime together.





John manages to create a new sense of normality and abstraction, in a sci-fi dimension, and at the same time makes it feel very natural. We dont get thrown off by cheesy or rubbish effects, or creations. But the film is rather sticking to a good and believable design and constructions.




There are several things I like about this film. First of all, I like how it portrays the struggle of finding yourself again, after dying and now having to start a new life again. Different from the one you had before, but also the same. I mainly like how the storyline as well as the time it is set in, is totally different from what I have seen before. Usually sci-fi tend to "work the same way" and the stories are often very similar or overdone. I like how this film manages to bring sci-fi in to the spotlight, without overdramatising it. How it keeps the story itself and the expression of the film clean and simple. Aesthetically well executed, and cinematography is also very nicely done.




It is clear that this production has been planned and gone through a hundred times, before actually going out to make it. Time, effort and heart has been poured in to it, and that shows on screen. I must also mention how I like the focus in the clips and also the strong and pure colour scheme that has been chosen.

How this short film affected and influenced my own project, was by the fact that it is able to tell a quite heavy story in a simple, yet effective way. Considering that my story is also quite intricate and could be a bit hard to pull off, if not done the right way. I find this film to be a good inspiration to have as a goal, and to try to be able to achieve the same. And as I also mentioned, the cinematography is very nice, I like how it uses wide shots, as well as medium shots continuously throughout the film. And also being able to incorporate detail shots that is full of information and emotions. It also shows in a really good way, how the writer has been able to create and maintain moments. Which is truly important to get a good story.


A great short film that is definitely worth seeing, enjoyed every moment, and it kept me in my seat as I was eager to find out what had happened to Hugh and his wife. I wanted to follow their journey, to see where they would end up. John Harden is a talented guy, with a powerful and intriguing story. I also have to mention, that I am not the biggest fan of sci-fi, but that I actually really, really liked this one.

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         New from John Harden on Vimeo.


//All images screenshot from the video on Vimeo

//Sources of information




Quick facts:
- Family Drama series
- Duration pr episode, aprox. 30 min
- 1 BAFTA award - Best drama
- 1 Royal Television Society award
- 1 Writers Guild of Great Britain
- Plus 4 other nominations

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Series 3 : 16 - The Goodbye Girl

Tyler's plan to put on a great magic show leads him to a first love with Chanelle, the mysterious daughter of a magic-shop owner.


In this episode we get introduced to a young boy, Tyler, who is exploring the world of magic tricks, at the same time as he is trying to find himself. Early on we can understand that this is the character we are going to follow and get to know as the story unfolds. What I really like about this serie is that you dont necessarily need to have watched any earlier episodes to catch up, or to understand the action or content of the story. 

Tyler lives at The Dumping Ground, set in a children´s home where all the children face many fun adventures as they all grow up in foster care. The series are a spin off from "The Story Of Tracy Beaker" which is based on the best-selling novel by Jacqueline Wilson. 




Already from the beginning we learn a great deal about the character we are to follow. As a group of intimidating teenage boys approach him to take all the money he just earned doing magic tricks in the streets. He shows both courage, bravery and fear despite running off to escape from the teenagers.




One of the main red threads in this episode are the magic. It appears throughout from beginning to end, in all sorts of ways.  After being chased by the older teenage boys Tyler hides in a corner shop, which appears to be selling magic toys and tricks. The chemistry that occurs between him and the girl working in the shop, tells us that she has a bigger part and meaning in the story.




When he leaves the girl, she gives him some of the magic toys and tricks as a gift, because she can see and understand how much he appreciates and likes to perform magic tricks. He shows the new tricks to his friends at The Dumping Ground. Some of the girls confronts him to ask if he has stolen it, and they encourage him to go and thank her.



At the same time parallel to Tyler´s adventure, one of the other kids get sick. And it becomes one of the older kids quest to find out what causes his allergic reaction. While all the other backs off to avoid being infected by what they believe to be an contagious disease. He sticks with him and helps him finding out what can help to solve the decease.





As Tyler gets permission from one of the carer´s at TDG to put on his own magic show for the other kids. He starts to research and build his own magic case to make an assistance to disappair. As he is trying to figure out the case, Chanelle the girl from the shop, turns up and helps him build it. Tyler falls more and more into a crush. As viewers we can relate to the difficulties in teamwork, how to handle emotions, falling in love for the first time when your young and insecure on all the new feelings you suddenly have. At the same time the message of falling and then have to raise again, is striking and told in a very discreet but well working way.





His first time being in love develops to be both hard and heartbreaking as he learns the cold fact that Chanelle is moving away, and her father didn't want for them to be together, not because he didn't like him, but because he didn't want for either of them to get hurt. Lines can be drawn to real-life feelings and they manage to make the audience believe the father straight forward doesn't like him. And then to later reveal the soar and heartbreaking truth. Of a father just wanting the best for his daughter and her new friend.




There is both strong friendships and young love presented on screen in a most purely and innocent way possible. It is definitely a family series where everyone can watch and enjoy. No matter if your five or fourthy. I really like how they have managed to make the action very naturally, and not to excessive. They have kept it simple, easy storyline to follow, characters that develop and change. As well as making the audience develop a relationship to and with the characters, and their stories.



The magic is what pulls Chanelle and Tyler both together and apart. As they team up and she assistance for him in his magic show, and her fathers magic shop not making enough money and causing them to have to move away. A beautiful and really well done, cute little love story, about how fragile love and goodbyes truly are. Really enjoyed watching.


The cinematography in the episode is really nice, I especially like the lighting in all the different scenes, as well as the framing of the shots. They have managed to create a special, warm and cozy atmosphere, that makes you want to escape into it. This is something I took with me as an inspiration of how to be able to create such a special atmosphere in my story on screen.


When it comes to how this drama affected my story and writing, I look to it as an inspiration of how to be able to combine both parallel storytelling, as well as being able to bring up bigger and sensitive themes and subjects in a gentle and yet powerful way. Without it being forced or overdramatised. And also to be able to create a special atmosphere and "real world" on screen, with good lighting, good framed shots and pure and clean storyline.

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//All images screenshot from the BBC

//Sources of information



. . . .


Quick facts:
Born 1968, Cardiff, England
Won 1 primetime Emmy
Won 2 BAFTA TV Awards
Plus several other nominations and wins
Writer & Producer


“I wrote a monologue and had a few people come up to me and say: 
‘Have you considered writing for a living?’”



As Abi grew up her mother, Pat England, raised her whilst being an actress. After she and her father, Gareth Morgan Director of the Gulbenkian Theatre in New Castle, split up when Abi was the age of 11. Which  caused them to move around a lot, due to different acting jobs and offers around the country, and they were always being quite poor. 

In the beginning Abi herself also wanted to become an actress, but after a harsh, but honest feedback from her mother on a play she did as a student. She realised that maybe there was something else out there. As she was studying drama and litteratur at Exeter University, she wrote a monologue that she got positive feedback on, and people was wondering if she had ever thought of she had ever considered writing for a living. She had not done much writing prior to this, but it was at this point she decided to head towards that direction.

The first she started writing was monologues and plays for theatre, and once landing one theatre play the jobs started to march in on her. After this she has grown to be one of the most in demand writers in England. She does both film and television screenwriting, and has written on series such as, 

Life isn't all Ha ha He he 
Birdsong
The Hour
&
River

 As well as on tv movies/films such as 

Sex Traffic
White Girl
Shame
The Iron Lady
"The Invisible Women
&
Suffragette




"Dont give up, - do it dont talk it!"


Abi mentions in an interview with BBC how important it is as a new writer to not give up. As well as how talking to much about your idea to other leaves you with less energy to actually write it. As well as the importance to take the knocks you will get on your way, and take it all as a part of the process.

The thing that made me interested in Abi and her work, was mainly what seems to be what a very strong work ethic she has. She did not let herself get knocked down, but actually took the knocks she got and turned them into something wonderful. I feel like she is also very easy to relate to when it comes to being unsure of your future, or what you want to do when you grow up. Basically by the fact that she found herself doubting and giving up on a possible acting career, and then by coincidence and listening to people around, ended up following a path that led her to great success. How Abi Morgan inspired or influenced my project was in the way of making action out of her saying, "do it dont talk it." 



//All images from google.com
Abi-picks-up-her-Emmy-for-The-Hour.jpg
abi-morgan-bfi-london-film-festival-2015-01.jpg
abi-morgan.jpg

//Sources of information
http://www.imdb.com/name/nm0604448/
http://www.bbc.co.uk/writersroom/writers-lab/be-inspired/abi-morgan
http://www.telegraph.co.uk/culture/8623286/Abi-Morgan-interview.html
https://en.wikipedia.org/wiki/Abi_Morgan



By craft I mean "the sum total of all means used to draw the audience into deep involvement, to hold that involvement, and ultimately to reward it with a moving and meaningful experience."
- As McKee writes in Story 


When writing a screenplay there a lot of different things to both consider and to think about. Many people would think that its just to sit down and start writing, and in some cases that might do. But usually there is a much more behind the process, like prep-work and idea development before you even think about touching the keys of your keyboard.


There is not any completely right or wrong way to do it. But there are certain guidelines and setups you should follow or use, if you want to achieve a good screenplay. Different books takes up several elements of interest about this topic and looking at a few of them shows how they all have information in common, as well as they are focusing or talking about totally different aspects of screenwriting. 

In Freddie Gaffney´s book "On Screenwriting" we are guided through all of the key and general elements of a screenplay. 

Story: 
genre, style, themes, thinking visually, moving image, plot, location, pace, dialogue, characterisation mise-en-scene, cinematography etc.
Character
Stereotype, archetype, age, social class, gender, sexual identity, physical characteristics, goals, fears, strengths, weaknesses, culture, general and personal history, motivation, action etc. 
Dialogue:
the need to speak, character function, story function, phrasing, vocabulary, personalising, rhythm, motivation, new information, conflict, subtext, energy, perception of realism, reflection of character etc. 
Structure - from idea to format:
Story versus plot, complication, resolution, the three act structure, backstory, setbacks, actions and reactions, 
- Act one: Exposition (a set up and a complication)
- Act two: Development (obstacles, setbacks, and a crisis)
- Act three: Solution (a final confrontation and then, resolution)
Openings and endings
introducing the protagonist, setting the style and pace, introduce the theme of the story, resolving external conflict, resolving internal conflict.

After reading this book you are defiantly ready to start your process with screenwriting, and its a key manual to follow, where you get all questions answered as you go. I used this book during the writing periode of my script, it was a great way to make sure you include all the parts you need. And it is broad and takes up a lot of the different aspects of writing a script, so its a gold mine with inspiration and information. I also used the notes I had taken from our lectures with Steve Coombes and Simon Welsford, which combined helped me massively during the writing period. Especially because I haven't written scripts before, and was quite insecure on how, in which way, what style etc. 




“Most movies celebrate the ways we 
connect with each other.” 
— Jeremy Irons, at the 68th Annual Academy Awards  
Johnson, C.H. - Crafting Short Screenplays that connect

Claudia Hunter Johnson in her book "Crafting Short Screenplays that Connect" mentions how she brings up the art of screenwriting in a whole new light. Instead of having the main focus only on how to set up the screenplay, and the content of one. Her book is the first to explore connection, (and not just conflict) as a crucial part of a good screenplays and the screenwriting process. 

Writing a screenplay isn't just about how it actually turns out or looks on the final piece of paper, but it is also about the effort, thinking and emotion put in to it. Which Peter Goldie´s book makes clear already from the title "Narrative Thinking, Emotion, and Planning." What makes a truly good story? A lot of different elements. And the last bits, is just luck and coincidence. Goldie talks about how the aesthetics and emotion is important for the stories to reach through and to have meaningfulness and emotional import. He tells about how all kind of emotions, dramatic irony, and how ones perception or personal importance has an impact on the narrative story and the incidents that takes place. 





//Images shot by me
with iPhone 4s

//Sources of information
http://v5.books.elsevier.com/bookscat/samples/9780240806419/table_of_contents.pdf
http://onlinelibrary.wiley.com/doi/10.1111/j.1540-6245.2008.01338.x/epdf
Gaffney, Freddie - On Screenwriting - The book


. . . .

Quick facts:
Born 10. January 1974, London, England
Nominated for two BAFTA awards
Plus three other nominations
Writer
Co-artistic director of
"The Bad Dog Theatre Company"


Kelly started out as an actress doing minor roles. Though she quit acting fairly early, as she stated that she "hated it" and due to the fact that she had left school really early to do acting. She had not gone to collage and therefore started to work in a UK video shop, where she kept working whilst she started to write. 

She started her career by being a book and lyric writer in the UK version of "Debbie Does Dallas, The Musical." Even though her writing career shot fast forward, she was writing for five years before her tv series "Terra Nova" was picked up. Kelly is also credited for the screenplay of the film "Saving Mr. Banks" Which is a drama consisting of a behind the scenes look, where we get to know how the famous film "Marry Poppins" was created. Portraying Walt Disney himself. Even though she is primarily a writer for tv and film, she is also the co-artistic director of "The Bad Dog Theatre Company" together with fellow writer Brett C. Leonard and the actor 
Tom Hardy. 


Marcel´s most recent work was for the erotic novel "Fifty Shades Of Grey," where she wrote the screenplay for the film, based on the book serie by the British author E.L. James. This is a very debated book and film and in an interview with The Guardian, she states how she felt that the final screenplay for the film turned out so different from her "crazy and artistic" original version. 



“I don’t say it out of any kind of bitterness or anger or anything like that. I just don’t feel like I can watch it without feeling some pain about how different it is to what I initially wrote.”

In the interview she also expresses how she in the beginning was given utterly free room to go all artistic and crazy with her ideas, but then later on had to change up the whole script, for it to be as the author of the book wanted it to be. Originally she did not want it to have that much dialogue, whilst the author of the book was persistent that that was what the  audience would want. And that is what it is like sometimes working in the business, having to write what others want, rather than having the possibility to freely write creatively. 

What interested me about Kelly as a writer was the fact that she all the way from when she quit acting, persistently knew what she wanted, and was determent to write until she succeeded. How she and her work inspired my project, was to truly be persistent with my idea and make sure that I could make it work on screen. I have also watched the film "Fifty Shades Of Grey", and let it influence me in the way that I agree with Kelly that it is highly over dialogued. And this was an important element I took into consideration for my own project, and it made me more aware of how important the "show not tell" rule truly are. 


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//All images from google.com

//Sources of information
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